writing

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POINT OF VIEW: Doesn’t Remind Me of Anything…

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I like studying faces in a parking lot Cause it doesn’t remind me of anything I like driving backwards in the fog Cause it doesn’t remind me of anything –Audioslave, Doesn’t Remind Me I was talking with my art teacher from high school on Facebook Messenger the other day – what an amazing world we live in. I forget that sometimes when I get bogged down in doom scrolling the daily horror show. But I digress. She showed me some of the art she’s been making lately. They were beautiful – one of a hand clutching a fist-full of dandelions, … Read more

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POINT OF VIEW: Writing in a Time of Chaos

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Damn, it’s been a week. The earth is shaking, a country is falling, and a virus is surging across the land. Mark and I find ourselves trapped inside our house again, staring out the windows at the excessive heat (and sometimes the wildfire smoke) and feeling like it’s 2020 all over again. My writing is in a shambles. Or maybe it’s not. I’m in the second third of the third book in a trilogy. I’m too close to it and I just can’t tell anymore. I am actually writing, but it’s too soon to know how it’s really going. Welcome … Read more

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POINT OF VIEW: Writing Alien

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Alien - Deposit Photos

I just finished reading The Bantam by RJ Theodore (review coming soon). I really enjoyed it – it’s like a crash course in writing a relatable alien. So how did the author do it? When writing truly alien characters, we have to discard everything we know: Why should they be bipedal? Why should they have hands or fingers, and why would these appendages be at the end of arms? Why would they have two genders? Why two eyes? Would they even have something we’d call eyes? Many sci-fi shows, books and films create aliens that are basically humans with different … Read more

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POINT OF VIEW: Choosing Person and tense – First Person

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When crafting a story, every writer has to make some key choices: What’s the genre? What’s the tone? How about the setting? Who are the characters, and what’s going to happen to them? How will they react? And will it all end? But there’s another choice we all make, consciously or unconsciously, that can have a huge impact on the story and how it’s perceived by the reader: Choosing the person you’ll tell your story in, and the tense. The vast majority of stories are told in third-person, simple past: Someone knocked on the door. Zippy the dingo went to … Read more

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POINT OF VIEW: When Your Story Sucks

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I’ve been a bit stuck on my WIP novel The Hencha Queen for a couple weeks now. I’ve also sent my previously-written short stories to most of the magazines on my list. So it seemed like a great time to write a new short story – exercise those writing muscles and have something sparkly and new to submit on the SFF magazine circuit too. It would only take a coupla days, right? Famous last words… So I sat down and whipped up a new short set in the same world as my (as-yet) unreleased shorts High Seven and What the … Read more

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POINT OF VIEW: Finding the Joy in Writing

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Sometimes I forget that I got into this whole writing gig because I love writing. No, not just love it. Need it, like an addict needs his fix. I’m not happy if I’m not writing. And yet, lately, I’m not happy when I am, either. I blame a few things: My never-ending agent search, which brings me fresh, usually bland-and-devoid-of-meaning rejections every few days My “other job” workload, which keeps me from concentrating on my writing as much as I’d like to My current slog through the third novel in a trilogy, after having taken a wrong turn somewhere in … Read more

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POINT OF VIEW: On Aging and Writing

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Today is my fifty-third birthday. When I was younger, someone who was my current age was old. They dressed in slacks and cardigans, walked a lot slower, and ate things like green beans and beef stroganoff. Now that I’m fifty-three, it doesn’t seem so old anymore. Part of this is the Boomers’ fault – they refused to act their age, and brought their jeans and workout routines and chopped salads with them into their golden years. Being fifty-three now isn’t what it was four decades ago. And part of it is that I just don’t feel it. I vividly remember … Read more

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POINT OF VIEW: Shouting Into the Void

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Every author reading this knows what this column will be about, just from reading the title. Well, at least every self-published author. You have done everything right. You have a website, a blog, a facebook profile (and page/group!). You’re on Twitter, the ‘gram, Slack, Zoom, Discord, and a hundred other apps you probably forgot you downloaded. You’ve writen your ass off, paid a professional editor, and have created or commissioned covers that would make the Gods weep. They ought to – they cost you enough. You have Nanowrimo’d, workshopped, critique-grouped and edited your writing to a finely honed skill, and … Read more

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POINT OF VIEW: Damage

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“What’s your damage, Heather?” We all carry damage around with us in some way, shape or form, like an unwanted hitchhiker. Damage from things that were done to us as children. Damage from things we did to others. Damage from the world and society at large. I carry the damage of homophobia. Of being called a faggot and queer and a sissy, damage from the nasty looks straight guys sometimes gave me when I was a teenager. I carry the damage of shattered hopes, dreams, and expectations, and the damage of a few hundred writing rejections that feed my imposter … Read more

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POINT OF VIEW: Stanislavski-ing My Characters

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man in mirror

Constantin Stanislavski came uo with a theory of acting that I’m loosely going to describe as “become the character” – a method of connecting with the personality of the person you’re playing, and learning how to think and feel like they did. It’s also known as Method Acting, and taken to its extreme, it can mean basically living as the person you are portraying. As folks who regularly read this column know (thanks to both of you!), I’m working on going deep with my characterization. Lately, I’ve found myself thinking about method actors and how they get into the heads … Read more